{"id":6715,"date":"2023-02-10T21:07:13","date_gmt":"2023-02-10T21:07:13","guid":{"rendered":"https:\/\/dev2023.sergelifar.org\/%d1%85%d0%be%d1%80%d0%b5%d0%be%d0%b3%d1%80%d0%b0%d1%84%d0%b8%d0%b8\/le-cantique-des-cantiques\/"},"modified":"2024-03-11T11:53:23","modified_gmt":"2024-03-11T10:53:23","slug":"le-cantique-des-cantiques","status":"publish","type":"page","link":"https:\/\/www.sergelifar.org\/ru\/%d1%85%d0%be%d1%80%d0%b5%d0%be%d0%b3%d1%80%d0%b0%d1%84%d0%b8%d0%b8\/autres-ballets\/le-cantique-des-cantiques\/","title":{"rendered":"Le Cantique des cantiques"},"content":{"rendered":"
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Ballet en 2 actes<\/p>\n

Premi\u00e8re : le 2 f\u00e9vrier 1938 \u00e0 l\u2019Op\u00e9ra de Paris<\/p>\n

Musique : Arthur Honegger<\/p>\n

Argument (ou livret) : Gabriel Boissy<\/p>\n

D\u00e9cors et costumes : Paul Colin<\/p>\n

Direction musicale : Philippe Gaubert<\/p>\n

Principaux interpr\u00e8tes : Carina Ari (la Sulamite), Paul Goub\u00e9 (le roi Salomon), Genevi\u00e8ve Kergrist, Serge Lifar (le Berger), Jacqueline Simoni<\/p>\n

* * * * * * * *<\/p>\n

\u00ab Le roi Salomon d\u00e9couvre la beaut\u00e9 de la Sulamite, humble fille des champs, l\u2019arrache quelque temps \u00e0 son rustique destin, mais ne peut emp\u00eacher le berger qu\u2019elle aime de la reprendre pour l\u2019emmener dans la montagne, o\u00f9 elle oubliera les hallucinations et les cauchemars qui l\u2019on terroris\u00e9e dans le palais du souverain. \u00bb<\/p>\n

Les premi\u00e8res <\/em>par Emile Vuillermoz, <\/em>in Excelsior<\/em>, 4 f\u00e9vrier 1938, p. 6<\/p>\n

* * * * * * * *<\/p>\n

\u00ab Cantique des Cantiques<\/em> a \u00e9t\u00e9 compos\u00e9 sur mes propres rythmes et s\u2019apparente donc au cycle d\u2019Icare<\/em> et de David triomphant<\/em>. Sur mes indications, Arthur Honegger a compos\u00e9 une partition pour un orchestre o\u00f9 le quatuor \u00e0 cordes est remplac\u00e9 par les ondes Martenot, des instruments \u00e0 percussion, des ch\u0153urs savamment organis\u00e9s ; de l\u2019abondance des \u00ab bruits \u00bb r\u00e9sultait une sonorit\u00e9 tr\u00e8s neuve, \u00e9tonnamment \u00ab chor\u00e9graphique \u00bb : jamais encore la danse n\u2019\u2019avait dispos\u00e9 de cet \u00ab orchestre parfait \u00bb, jamais encore je n\u2019avais observ\u00e9 une telle fusion, un tel accord de la musique et de la danse.<\/p>\n

Cantique des Cantiques<\/em>, dans sa plastique aussi bien qu\u2019en ses \u00e9l\u00e9ments \u00ab saltatoires \u00bb, est b\u00e2ti sur de violents contrastes. Le style acad\u00e9mique s\u2019y dissimule \u00e0 dessein sous des donn\u00e9es purement individuelles. Ainsi ai-je cru rendre l\u2019\u00e9motion lyrique du r\u00f4le de la Sulamite en opposant les positions ramass\u00e9es du corps, repli\u00e9 sur lui, \u00e0 des gestes amples et longs. De m\u00eame, au second tableau, sur le fond acrobatique des danseurs mont\u00e9s sur des \u00e9chasses, se d\u00e9tache la fluide vision d\u2019un pas de deux r\u00e9gl\u00e9 tr\u00e8s acad\u00e9miquement.<\/p>\n

Je pensais unir, dans ce ballet, l\u2019\u00ab arioso \u00bb au \u00ab r\u00e9citatif \u00bb et \u00e0 la plastique de la danse, et cette plastique rythmique et dansante, rythmico-dansante, est, en quelque sorte, le leit-motiv de tout le ballet. Elle caract\u00e9rise, en particulier, le grand th\u00e8me d\u2019amour. De m\u00eame que, dans Tristan<\/em>, le th\u00e8me de la passion plane sur tout le drame, le th\u00e8me chor\u00e9graphique de l\u2019amour est constamment repris dans Cantique des Cantiques<\/em>, toujours le m\u00eame, quoique vari\u00e9.<\/p>\n

De tous mes ballets, Cantique des Cantiques<\/em> est peut-\u00eatre le plus riche en r\u00e9citatifs. \u00bb<\/p>\n

Serge Lifar, Le livre de la danse<\/em>, Les Editions du Journal Musical Fran\u00e7ais, Paris, 1954 (pp. 161-162)<\/p>\nngg_shortcode_0_placeholder\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Ballet en 2 actes Premi\u00e8re : le 2 f\u00e9vrier 1938 \u00e0 l\u2019Op\u00e9ra de Paris Musique : Arthur Honegger Argument (ou livret) : Gabriel Boissy D\u00e9cors et costumes : Paul Colin Direction musicale : Philippe Gaubert Principaux interpr\u00e8tes : Carina Ari (la Sulamite), Paul Goub\u00e9 (le roi Salomon), Genevi\u00e8ve Kergrist, Serge Lifar (le Berger), Jacqueline Simoni * * * * * <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7159,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-sousmenu.php","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-6715","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nLe Cantique des cantiques - Serge Lifar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sergelifar.org\/choregraphies\/autres-ballets\/le-cantique-des-cantiques\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Cantique des cantiques - 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