{"id":6445,"date":"2024-01-17T11:54:28","date_gmt":"2024-01-17T10:54:28","guid":{"rendered":"https:\/\/dev2023.sergelifar.org\/%d1%85%d0%be%d1%80%d0%b5%d0%be%d0%b3%d1%80%d0%b0%d1%84%d0%b8%d0%b8\/septuor\/"},"modified":"2025-03-19T10:37:11","modified_gmt":"2025-03-19T09:37:11","slug":"septuor","status":"publish","type":"page","link":"https:\/\/www.sergelifar.org\/ru\/%d1%85%d0%be%d1%80%d0%b5%d0%be%d0%b3%d1%80%d0%b0%d1%84%d0%b8%d0%b8\/autres-ballets\/septuor\/","title":{"rendered":"Septuor"},"content":{"rendered":"
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Ballet en 1 acte<\/p>\n

Premi\u00e8re : le 25 janvier 1950 \u00e0 l\u2019Op\u00e9ra de Paris<\/p>\n

Musique : Jean Lut\u00e8ce<\/p>\n

Argument (ou livret) : Francis Blanche<\/p>\n

D\u00e9cors et costumes : Yves Bonnat <\/p>\n

Rideau : Eva Potron<\/p>\n

Direction musicale : Robert Blot<\/p>\n

Principaux interpr\u00e8tes : Jean-Paul Andr\u00e9ani (l\u2019Ap\u00f4tre), Raoul Bari (le Capitaine), Monique Bertagnol (le Spectre de l\u2019Aim\u00e9e),  Claude Bessy (l\u2019Amante assassin\u00e9e), Clerambault, Roland Duflot (l\u2019Incr\u00e9dule), Paulette Dynalix (la Princesse), Nicolas Efimoff (le Sorcier), Fourcade, Raymond Franchetti (le Bossu), Hammerer, Jamet (le Gueux), Jacques Jodel, Pierre Lacotte (l\u2019Assassin), Lucien Lef\u00e8vre (l\u2019Ap\u00f4tre), Lucien Legrand (le Seigneur), Jean-Michel Lemoine (le Fou), Montbazon, Pierret, Eug\u00e8ne Ponti (la Justice), Jean Sarelli, Martial Sauvageot (le Cordier), Serval, Vauchel<\/p>\n

* * * * * * * *<\/p>\n

\u00ab La danse dans la vie d\u2019aujourd\u2019hui, et non pas la vie d\u2019aujourd\u2019hui dans la danse<\/em>, tel \u00e9tait le grand principe dont je ne voulais surtout pas m\u2019\u00e9carter. Le propre de la danse n\u2019est-il pas de refl\u00e9ter des choses actuelles par des proc\u00e9d\u00e9s qui lui sont particuliers ? Je dis bien REFL\u00c9TER, cela signifie que la danse peut \u00ab styliser \u00bb jusqu\u2019\u00e0 l\u2019expressionnisme lui-m\u00eame, sans devenir expressionniste pour autant.<\/p>\n

Voil\u00e0 pourquoi, au lieu de recopier tant d\u2019\u0153uvres faciles au succ\u00e8s certain, j\u2019ai r\u00e9solu d\u2019utiliser dans Septuor<\/em> toutes les ressources de la danse acad\u00e9mique, en les portant au paroxysme de l\u2019expression. Septuor<\/em> n\u2019est pas un ballet expressionniste : c\u2019est un \u00ab ballet d\u2019expression \u00bb, au lieu de s\u2019encanailler servilement, la danse y conserve sa puret\u00e9 \u00e9l\u00e9mentaire, mise au service d\u2019une autre cause.<\/p>\n

Il y a sept pendus dans ce ballet qui, l\u2019un apr\u00e8s l\u2019autre, vont se balancer dans l\u2019air noir : l\u2019Assassin, le Sorcier, le Fou, le Po\u00e8te, le Cordier, le Bossu et enfin le Proph\u00e8te, que la foule escorte, dans une lumi\u00e8re \u00e9blouissante, avant de l\u2019envoyer \u00e0 la potence. Et puis, il y a le huiti\u00e8me aussi \u2013 celui que le bourreau ne hisse point \u2013 l\u2019homme seul qui succombe \u00e0 sa solitude, hant\u00e9 par la vision d\u2019avoir d\u00e9truit sept valeurs \u00e9l\u00e9mentaires : le r\u00e9volt\u00e9, le \u00ab trop savant \u00bb, le d\u00e9ment, le beau, le maladroit enfant, le laid et le grand.<\/p>\n

De la sorte, \u00e9chappant \u00e0 la contrainte \u00ab sociale \u00bb qui, de prime abord, semblait lui \u00eatre impos\u00e9e, la danse une fois encore joue son r\u00f4le de cr\u00e9atrice de mythes. \u00bb<\/p>\n

Serge Lifar, Le livre de la danse<\/em>, Les Editions du Journal Musical Fran\u00e7ais, Paris, 1954 (pp. 200-201)<\/p>\n

 <\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Ballet en 1 acte Premi\u00e8re : le 25 janvier 1950 \u00e0 l\u2019Op\u00e9ra de Paris Musique : Jean Lut\u00e8ce Argument (ou livret) : Francis Blanche D\u00e9cors et costumes : Yves Bonnat  Rideau : Eva Potron Direction musicale : Robert Blot Principaux interpr\u00e8tes : Jean-Paul Andr\u00e9ani (l\u2019Ap\u00f4tre), Raoul Bari (le Capitaine), Monique Bertagnol (le Spectre de l\u2019Aim\u00e9e),  Claude Bessy (l\u2019Amante assassin\u00e9e), Clerambault, Roland Duflot <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7159,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-sousmenu.php","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-6445","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nSeptuor - Serge Lifar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sergelifar.org\/ru\/\u0445\u043e\u0440\u0435\u043e\u0433\u0440\u0430\u0444\u0438\u0438\/autres-ballets\/septuor\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Septuor - 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