{"id":7432,"date":"2024-08-20T15:24:33","date_gmt":"2024-08-20T13:24:33","guid":{"rendered":"https:\/\/www.sergelifar.org\/choregraphies\/autres-ballets\/adelaide\/"},"modified":"2025-08-13T13:27:05","modified_gmt":"2025-08-13T11:27:05","slug":"adelaide","status":"publish","type":"page","link":"https:\/\/www.sergelifar.org\/en\/choregraphies\/autres-ballets\/adelaide\/","title":{"rendered":"Ad\u00e9la\u00efde ou le langage des fleurs"},"content":{"rendered":"
\n
\n\t

 <\/p>\n

Ballet en 1 acte<\/p>\n

Premi\u00e8re : 28 d\u00e9cembre 1938 \u00e0 l\u2019Op\u00e9ra de Paris<\/p>\n

Musique : Maurice Ravel<\/p>\n

D\u00e9cors et costumes :  Maurice Brianchon<\/p>\n

Direction musicale : Philippe Gaubert<\/p>\n

Principaux interpr\u00e8tes : Max Bozzoni, Yvette Chauvir\u00e9 (Adela\u00efde), Lycette Darsonval (Pamela), Marie-Louise Didion (une Invit\u00e9e), Pierre Duprez (un Invit\u00e9), Paulette Dynalix (une Invit\u00e9e), Paul Goub\u00e9 (le Duc), Henriette Grellier (une invit\u00e9e), Marianne Ivanoff (une Invit\u00e9e), Genevi\u00e8ve Kergrist (une Danseuse), Lucien Legrand (un Invit\u00e9), Serge Lifar (le Po\u00e8te), Roger Ritz (un Invit\u00e9)<\/p>\n

Ce ballet fut pr\u00e9sent\u00e9 dans le cadre de la comm\u00e9moration du 1er<\/sup> anniversaire de la mort de Maurice Ravel.<\/p>\n

* * * * * * * *<\/p>\n

\u00ab Ce petit acte chor\u00e9graphique n\u2019est autre que la partie orchestrale des Valses nobles et sentimentales<\/em> \u00e9crites sp\u00e9cialement par Ravel aux environ de 1912 pour les auditions de sa ch\u00e8re soci\u00e9t\u00e9 musicale et qui furent dans\u00e9es par les ballets Trouhanowa.<\/p>\n

Ce groupe de valses o\u00f9 se retrouve port\u00e9e par les ailes du vertige \u00e0 trois temps l\u2019inspiration jaillissante de sonorit\u00e9s neuves et hardies du compositeur a inspir\u00e9 \u00e0 Serge Lifar un badinage romantique qui semble s\u2019\u00e9loigner de l\u2019argument \u00e9crit par Ravel lui-m\u00eame. Nous y retrouvons cependant l\u2019intrigue classique de l\u2019amoureux \u00e9conduit, que la muse console de l\u2019inconstance des femmes.<\/p>\n

La chor\u00e9graphie comprend une suite d\u2019entr\u00e9es en forme de quadrille, de variations, de pas de deux o\u00f9 la danse d\u2019\u00e9cole se m\u00e9lange agr\u00e9ablement \u00e0 la valse classique, anim\u00e9s par le talent de Mlles Chauvir\u00e9, Darsonval, Kergrist, M. Paul Goub\u00e9 et Serge Lifar lui-m\u00eame.<\/p>\n

Le d\u00e9cor de Brianchon qui nous am\u00e8ne dans un parc surann\u00e9 a \u00e9t\u00e9 \u00e9vocateur \u00e0 souhait.<\/p>\n

Au pupitre, Philippe Gaubert a montr\u00e9 son \u00e9rudition. \u00bb<\/p>\n

Le Jour, A l\u2019Op\u00e9ra \u2013 Adela\u00efde de Maurice Ravel<\/em> par Pierre Berlioz, p. 6<\/p>\n

* * * * * * *<\/p>\n

\u00ab A l\u2019occasion du festival Ravel, M. Serge Lifar a cr\u00e9\u00e9 un charmant petit ballet dans le go\u00fbt d\u2019un \"divertissement\" Adela\u00efde<\/em>, sur les Valses nobles et sentimentales<\/em>. Une courte intrigue suffit comme pr\u00e9texte \u00e0 cette tr\u00e8s agr\u00e9able succession de variations soutenues par le rythme appuy\u00e9 des huit valses. Mlles Kergrist et Chauvir\u00e9 ont eu un succ\u00e8s m\u00e9rit\u00e9 et la derni\u00e8re variation du ballet, celle du Po\u00e8te<\/em> et de la Muse<\/em> ex\u00e9cut\u00e9e par M. Serge Lifar et Mlle Darsonval, est si pleine d\u2019\u00e9motion po\u00e9tique que le public se d\u00e9sole d\u2019\u00eatre aussit\u00f4t apr\u00e8s arrach\u00e9 au tendre monde d\u2019illusion qu\u2019elle \u00e9voque. \u00bb<\/p>\n

Ce soir, La danse<\/em> par Boulos, 10 janvier 1939, p. 6<\/p>\nngg_shortcode_0_placeholder\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

  Ballet en 1 acte Premi\u00e8re : 28 d\u00e9cembre 1938 \u00e0 l\u2019Op\u00e9ra de Paris Musique : Maurice Ravel D\u00e9cors et costumes :  Maurice Brianchon Direction musicale : Philippe Gaubert Principaux interpr\u00e8tes : Max Bozzoni, Yvette Chauvir\u00e9 (Adela\u00efde), Lycette Darsonval (Pamela), Marie-Louise Didion (une Invit\u00e9e), Pierre Duprez (un Invit\u00e9), Paulette Dynalix (une Invit\u00e9e), Paul Goub\u00e9 (le Duc), Henriette Grellier (une <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7158,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-sousmenu.php","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-7432","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nAd\u00e9la\u00efde ou le langage des fleurs - Serge Lifar<\/title>\n<meta name=\"description\" content=\"Ballet de Serge Lifar sur une musique de Maurice Ravel, d\u00e9cors et costume de Maurice Brianchon (1938)\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sergelifar.org\/en\/choregraphies\/autres-ballets\/adelaide\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ad\u00e9la\u00efde ou le langage des fleurs - 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